Saturday, May 30, 2009

World Hollywood Movie Star Trek 2009

May 30th Saturday


Movie Review:
Let’s begin with 5 simple words: this is not Star Trek.


It really is that simple. The new movie has several shades and flavors of the original series, and of course the hallmark characters, but - as pre-release media has made clear - J.J. Abrams has not so much “rebooted” the franchise (the popular term), as created something new with samples of the original spliced into the backbeat. That works great in (some) music; how does it do for one of the most revered sci-fi franchises in Western history?



The answer is, if you’re not fussed about strict adherence to the original, not that badly. Face up, 2009’s new Star Trek is a summer action movie first and foremost. The slower (and sometimes plodding) plots and pacing of prior movies are almost completely gone; this is a roller-coaster ride nearly from start to finish. In ST’s defense, it’s actually a pretty good thrillride. Even in this day and age of expensive home-theater setups, this is a film you’ll benefit from seeing in a theater. Abrams shoots and directs some great action sequences, and the SPFX on display are very modern and impressive. The film’s opening sequence, a space battle, does a great job of setting the pace for the film. If you enjoy that scene, you’ll probably be mostly good for the rest.


The problem, or at least issue, is that niggling “mostly.” It’s common knowledge that with ST, Abrams was setting out to bridge the gap between everyday movie-lovers and dedicated Trek fans, or at least translate the old-school source material into something far more widely palatable. On a purely visceral level, there’s no denying Trek ‘09 will succeed in that regard; the action is approximately at the level of something like Transformers, and more than enough to keep viewers enthralled. However, classic Trek - as well as the better new iterations - has another, brainier (nerdier?) side as well, and even a casual sci-fi fan might not be able to avoid thinking that element got left on a cutting-room floor somewhere. Older Trek had its own brand of pseudoscience and associated weirdness, and new Trek taps that same well - no room for a knock there, even the original series was far too inconsistent with its science to be halcyonized for it. However, characters in the old series and even the movies often had to think, and the viewer was usually thinking along with them. There’s not too much of that going on here. Worse, some of the action seems to come at the expense of even threadbare sci-fi respectability (i.e. consistency and common sense in the fiction). Too, though I don’t want to totally spoil it, one particular sequence has a plot-central character being totally upstaged by… well… a version of himself who is both earlier and later. People who have seen the film or enough of the previews know what I mean.


You might be thinking at this point that Star Trek ‘09 is bad. Absolutely incorrect. It’s fun, often funny (though a few of the jokes fall flat) and plenty of film-fueled adrenaline in a snazzy package. Some of the main bridge-crew members of the original cast actually get (what at least feels like) more screen time and emphasis than we’ve seen in prior versions of Trek, and more than enough to flesh them out nicely as characters we’d like to see again. Uhura and Sulu are probably the best examples, as (quite unfortunately) Scotty and Chekov seem sometimes to be more comic elements than developed roles. (There’s plenty of precedent for slapstick humor in older Trek - remember Scotty knocking himself out on the conduit in Voyage Home - but there was always character development along with it.) While some of the new character iterations, particularly Kirk, are fairly untrue to their antecedents, the acting is consistently enjoyable and in some cases a remarkable tribute to those who went before. I’m talking most specifically about Karl Urban, who at times almost seems to be channeling DeForest Kelley from beyond the grave. If you’re a fan of the old-school Bones, you’re either going to absolutely love this new portrayal or really hate it. In any case, the cast and filmmakers did a great job of bringing their characters to like. The plot and timeline in Trek ‘09 skips around so rapidly that at some times you may not follow it all - but you will care about the people in it. While many of the film’s sequences and events feel somewhat derivative of similar things we’ve seen in big-name franchises past, it’s all well-packaged. Sometimes imitation, in addition to being the best form of flattery, can give you something decent by itself.


Star Trek ‘09, then, is a nitpicker’s torture chamber, but it will probably be a huge box-office earner, and for casual movie fans it’s sure to be a hit. This new take on the classic franchise may actually generate quite a bit of new interest in the original material - but in all truth, it really is different enough that those who like the former may be rather bored with the latter. If Gene Roddenberry’s classic SF mainstay is one of the underpinning truths of your personality - in other words, if you really are one of the Star Trek geek elite - you should probably stay far, far away from this new version (though let’s be honest, not that you will). If you’re interested in something much more mainstream with plenty of quality screenwork and effects, go see the new Star Trek. (Though you might want to wait until after opening weekend!)

Amazing Online Hollywood Movie Angels and Demons

May 30th Saturday

Watch Online Hollywood Movie Angels and Demons


Movie Review:

Starring: Tom Hanks, Ayelet Zurer, Ewan McGregor, Stellan Skarsgård, David Pasquesi, osimo

Fusco, Ursula Brooks, Armin Mueller-Stahl

Directed by: Ron Howard


Release Date: May 15, 2009.

This weekend, as Angels and Demons hits theatres, we will again be treated to Tom Hanks as the intrepid Dr. Robert Langdon as he sleuths his way across and through the dark and dangerous hidden roads of Rome. In this chapter, the ghosts of past nerds return to wreck havoc on the religious types in the Catholic Church. A nerd does not forget

Friday, May 29, 2009

Watch Online Tamil Latest Movie Rajathi Raja 2009

May 29th Friday

Watch Online Tamil Latest Movie Rajathi Raja 2009









Movie Review:

Cast: Ragava Larencce, Mumtaz, Meenakshi, Snigtha, Samiksha, Kamna Jethmalani, Karunaas

Direction: Sakthi Chidambaram

Production: Sakthi Chidambaram

Music: Dheena

It’s not just jewellery and the opulent lifestyle of the kings that entice people, but also their polygamic partnership that has made their lives an interesting topic for filmmakers. And bringing this exciting aspect of the lives of our kings back on screen in director Shakthi Chidambaram’s 'Rajadhi Raja'. Playing the title role and romancing six heroines with all enthusiasm is Raghava Larencce. His voyeuristic experiences with Kamna Jeethmalani, Snigtha, Meenakshi, Mumtaz, Samiksha and Kiran have already caught the attention of many an eye with the posters, which are only a sample.


Mumtaz will play a negative role in this film, and she is said to have done a character which is entirely different from her previous ones. While the first half of the film is a laugh riot, things get serious post intermission, leading to an action packed second half.


The film produced by Shakthi Chidambaram and has music by Karunaas. The film is a bilingual, made in Tamil and Telugu..

Watch Online Tamil Latest Movie Sarvam 2009

may 29th Friday

Watch Online Tamil Latest Movie Sarvam 2009













Movie Review:

Banner: Ayngaran International

Cast: Arya, Trisha, JD Chakravarthy, Indrajith

Direction: Vishnuvardhan

Music: Yuvan Shankar Raja..


Director Vishnuvardhan seems to have mastered the art of making a trendy, sophisticated and chic film. The young film-maker often led his films do all the talking. After touching the peak in ‘Billa’, Vishnu is out to face the litmus test with ‘Sarvam’. With his trusted lieutenant Arya by his side and the likes of cinematographer Nirav Shah and music composer Yuvan Shankar Raja around, he has come up with a movie that certainly lives up to his reputation.


Vishnu has tried a marriage between commercial and real cinema in ‘Sarvam’ and seems to have succeeded fairly. Though the storyline seems to be familiar, yet with his typical visual narration, he walks away with all honours. As like his other films, Vishnuvardhan has blended romance and action at right mix.


A convincing thriller is a rarity in Tamil cinema. Vishnu has taken it in his stride and rendered a movie that is convincing and makes the audience glued to their seats. What more, he has struck to his task without deviating from the storyline.


Arya and Vishnuvardhan share a good rapport as was evident in their previous film – ‘Arindhum Ariyamalum’ and ‘Pattiyal’. With ‘Sarvam’, the duo seems to have struck a hat-trick. Polished by Bala in ‘Naan Kadavul’, Arya comes across as a cool, suave architect who runs behind Trisha in the second half and goes hammer and tongs flexing his muscles to save the life of a young innocent child.


Trisha is gorgeous and as fresh as an apple. She fits the role of a medical practitioner in love with Arya. The only disappointment is that she fades away from the story very quick. Unfortunately she hogs very little space on screen.


JD Chakravarthy, who sizzled the screen in Tollywood, plays an interesting role. However the lack of conviction in narrating his character robs away the sheen from his character. Malayalam actor Indrajith makes his debut in Kollywood playing a desperate father running from pillar to post for his son.


Karthik (Arya), a cool suave architect comes across a young doctor Sandhya (Trisha) at a Kart track. He falls for her instantly. Romance blossoms. Tragedy strikes in Karthik’s life when a kite snatches Trisha’s life. Desperate attempts to save Sandhya who is strangled by the thread of the kite ends in vain. However her heart gets transplanted for a young boy Imman (Rohan), son of Naushad (Indrajith).


A flashback reveals that Naushad had run over a football coach Eashwar’s (JD Chakravarthy) wife. He is keen to take revenge on Naushad by plotting to kill his son. Arya develops a good rapport with the child after his ladylove’s heart is transplanted to him.


Coming to know of Eashwar’s motive, Karthik steps in to save the kid. What happens then forms the climax.


Vishnuvardhan deserves all credit for making it stylish from the first frame. Nirav Shah’s lens does all the magic capturing thrilling moments well. He captures the various locales of Chennai, Rajasthan and forest lands well. Yuvan’s brisk re-recording towards the second half is praiseworthy.


On the whole, Sarvam, produced by Ayngaran International, is a visual delight that is sure to thrill the audience.

Watch Online Movie Titanic

May 29th Friday

Watch Tamil SuperHit Love Movie Titanic


Movie Review:

First off, I have been waiting for Titanic to be released into theaters ever since I first heard they were making it. Hearing James Cameron would direct, I was a little worried that he would turn it into an action film. I felt that the maiden voyage of the R.M.S. Titanic had more going for it than action, and it deserved more respect (not that I'm saying the action genre isn't respectful... or maybe I am). Upon seeing the first previews of the film (over a year ago), I realized that Cameron had created something that has to be seen. It wasn't going to be an action film, but a romantic love story revolving around the Titanic's disastrous voyage. And then, come July, and I heard the worst news of the year--Titanic was being pushed to December. I was incredibly disappointed, but the film's trailers still loomed in my mind. December 19 was approaching fast, but it seemed to take forever.


And then it hit theaters. I bought tickets the night before, just to make sure I had them. The film's title appeared in big, bold letters against an oceanic background. I let out a small cheer for myself and the film. For over three hours, I sat in my seat, spellbound. There really are no words to describe it. This is an experience one must see to believe. The trailers make it look like an action-packed, visual-effects filled story that had a romance story as a subplot. Instead, the sinking of the Titanic is the subplot, while the romance becomes the film's center. On exiting the theater (and wiping away the tears), I overheard comments from an audience member who thought it was going to be a disaster film filled with peril and death. This was a rather tasteless remark, and I wanted to turn to him and ask him if he had ever seen any of the previews. However, he was partially right... it is filled with death and peril. But only for the final hour or so.


Titanic begins deep under the ocean (over two and half miles below the surface). The dark blue surrounds the camera's view, and then a light in the background appears. Several small submarines move in the darkness (reminiscent of Cameron's The Abyss) and the light shines upon a "ghost ship coming out of the darkness." What's so remarkable about this scene is that these shots are actual footage of the real Titanic. Cameron shot this footage, taking shots from inside the ship with small vessels attached to cables. The head of these excursions into the Titanic is led by Brock Lovett (Bill Paxton), an explorer hoping to find a valuable diamond which was believed to be aboard the ship. Instead of finding the diamond, they find a safe full of drawings and other rotted paper. One of these drawings is of a nude woman, who happens to be wearing the diamond, appropriately called The Heart of the Ocean.


Showing the picture on the TV, Lovett receives a phone call from Rose Calvert (Gloria Stuart), who claims to be the woman in the picture. She is flown in, where she begins to tell a story about a woman, Rose DeWitt Butaker (Kate Winslet). Rose is a 17 year old girl being forced to marry a man she does not love. This man is Cal Hockley (Billy Zane), a rich eccentric with more love for his money than Rose. Calvert's story begins with these two arriving at the farewell of the R.M.S. Titanic, nicknamed "The Unsinkable." The first class members board with pets and luggage, while third class members need to be checked for lice and other diseases before boarding. A poor artist, Jack Dawson (Leonardo DiCaprio), wins a ticket for third class during a poker game. His friend, Fabrizio De Rossi (Danny Nucci), also boards in order to escape to America. Shortly after the ship leaves the dock, Jack spots Rose standing on the first class level. Rose is so miserable with her engagement that she runs to the edge of the boat to commit suicide. Jack stops her, and the two begin a friendship which later turns into a passionate affair.


As all this is going on, the ship itself is being pushed to its limits. Considered to be the fastest and largest moveable manmade object, one passenger, Bruce Ismay (Jonathan Hyde), wants Captain E.J. Smith (Bernard Hill) to break the speed record. Against fair warnings, the Captain complies and pushes the ship to full power. This, of course, leads to the demise of the Titanic. The sinking of the Titanic is by far the most exhilarating moments I have ever seen on screen. The awesome grandeur of this sequence is perfect film making. Sure, there may be a couple moments where the special effects waver, but that is not important to the story or to Cameron. The incredible suspense that amounts is more than any other film this year, surpassing the terrific Contact's transportation moment. I thought I had seen everything, from the White House exploding, to the destruction of an entire city. But I had never seen anything like this. The energy this scene creates alone would power any other film. But Titanic has much more to offer than any other film. It combines humor, romance, action, suspense, and sex into one incredible motion picture that defies explanation.


Of course, Titanic's central aspect is the love story between Jack and Rose, and the crush it has on Cal. The romantic story isn't original, but this is not a bad thing. Cameron re-invents the story to fit the time period and its characters. Everything fits perfectly, with nothing ever seeming contrived or awkward. Jack's immediate interest in Rose, and Rose likewise, is completely understandable. She is suffering emotionally, and Jack is there to support her. Themes from Romeo and Juliet are included, such as Rose being an upper-classman, and Jack being lower class. But the emotional connection between Rose and Jack is almost palpable, and this fuels the film's first two hours. We watch the trials of Jack and Rose, and as they overcome them, the ship comes closer to destiny. With a ship as large as the Titanic was, it was destined to crash. And of course, the ship isn't stocked with enough lifeboats to accommodate the 2,200 passengers. In the end, over 700 people survive, while the rest drown, freeze, or commit suicide.


The resolution of the film, after the ship's gone under, is just as powerful as anything else in the movie. It ends rather surprisingly, with a touching symbolic conclusion. Most films end predictably, or inappropriately, but Titanic ends just on the right note. In fact, the symbolism of the final scene is so perfect, that many people will contemplate over the meaning for months. The film does end rather depressingly, and unexpectedly, but when you think about it, it couldn't have ended any other way. All the questions are answered, and we are left with a weak smile due to the intense situation we were just put through. The Titanic sinking is an emotional roller coaster, with many more realistic deaths than any Independence Day. The death scenes are so realistic, that you find yourself caring for every single passenger. Cameron never compromises the integrity of his film, and the deaths of the passengers is never overemphasized. He doesn't linger on each death, but takes it as it comes to show us the realism without trying to force emotions out of the audience. But emotions do show, and almost anyone will find themselves wiping away a few tears.


Titanic's technical effects are the most impressive of any film this year. The production design, by Peter Lamont, is so meticulous in the small details, that we never realize the impact it has on the overall production. Everything, from the silverware to the enormous furnaces and engines, is perfectly in place. The cinematography, by Russell Carpenter, is incredibly rich. The detail in each shot is quite exquisite, and the visuals are very impressive without seeming too much like artificial visuals to make us gawk. What we gawk at is the realism. The pistons that spin the propellers are huge, but the visual impact is even stronger. Since Titanic is a period piece, the costumes, by Deborah Lynn Scott, had to be perfect. And they are. Nothing seems like it doesn't belong in the early 20th century. And then, there are the special effects. Combining the power of Industrial Light & Magic with Cameron's Digital Domain (as well as a couple other companies), Titanic contains the most impressive special effects this year, and ever. Most special effects come across as effects, and nothing more. Titanic uses special effects to enhance the realism of the story, not the other way around. The ship is brought to the screen via visual effects, models, and a near full-scale model. Watching people fall from the ship is incredible, and the death scenes were too realistic for some people in the audience. When the ship splits in half and lands back on the water, a gasp is heard from almost everyone in the audience. The music, by Cameron-regular James Horner, is extremely appropriate, giving the film a more epic-type feel to it. The music is terrific, and deserves the Oscar for Best Original Score.


Cameron, as a storyteller, is among the best ever. His technique is perfect for these kinds of expensive motion pictures. But Cameron always makes good movies, no matter what kind of a budget he may have. Perhaps the biggest downfall of Titanic is its enormous budget. Somewhere around $200 million, Titanic easily surpasses Waterworld as the most expensive film to date. But while watching Titanic, you can see where the money went. And you also don't care what it cost. You want to thank Cameron for giving us a film like this one. Cameron had major control over the production of this film, taking the directing and screenwriting into his own hands. He also co-edited and co-produced. Cameron's screenplays are typically well written, with smart dialogue, funny humor, and great action. But Titanic contains an emotional element last seen in Terminator 2: Judgment Day, and elevates it even more. This is a beautifully written screenplay, with terrific humor and very dramatic situations. Thankfully, Cameron opted to focus the story on the adventures of two fictional characters, instead of many different ones. We get to know them, and care for them. By the time the ship begins to sink, we actually care that the people on the ship live, instead of watching the mayhem swallow faceless victims up.


Titanic's cast is among the best this year. Leonardo DiCaprio is not one of my favorite actors (he was in last year's horrible William Shakespeare's Romeo + Juliet), but here, he sheds the cocky image (more than likely a result of Cameron's control over his actors). DiCaprio gives his best performance to date, never seeming like an actor portraying a character. However, it is Kate Winslet's performance that steals the show. Her impressive resume of work has made her one of my favorite actresses, and this just adds to it. Winslet portrays all the confusion and love and hate that any other actress couldn't do as effectively. The scenes with her and DiCaprio are emotionally charged, and the connection between the two reminds us of what good chemistry can do for a film. Billy Zane has proven to be a reliable actor, but again, he tops himself as the villain of the film. Zane adds just enough love and warmth to the role in the beginning, but as Winslet begins falling in love with DiCaprio, he sheds that image until the final moments of the film. He shows an evil and jealous side to his personality, but it's never artificial. Gloria Stuart gives a remarkable performance in a role that marks her return during a long dry spell (her last film was in 1986). Stuart's Rose is old, but she still has the spirit of when she was 17. Her face glows with love. Bill Paxton also does a very good job, though his character is mainly there in order to begin the story. Kathy Bates gives yet another terrific turn as the real-life Mrs. Molly Brown. This ensemble cast is quite good, but it is DiCaprio and Winslet who shine on screen.


Titanic is rated PG-13 for disaster related peril and violence, nudity, sensuality, and brief language. The nudity is not inappropriate, as it is done tastefully. Winslet appears topless, but Cameron never exploits the nudity. If we do manage to see her topless, it is not because Cameron wanted to, but because the camera happened to be there. Titanic is a grand epic motion picture which is sure to sweep the Oscars. This is the first film since Schindler's List that I have wanted to win Best Picture, and has a good chance at doing it. Let's face it, James Cameron deserves some recognition for all his hard work. In fact, this is the first film since the 1993 epic that I have wanted to sweep the Oscars (which is unfortunate because I want Contact to win a few too). Titanic is by far the best film of the year. Titanic will be remembered as an instant classic, going down in history as the most expensive film ever made, but also as one of the best films ever made.

Watch Latest Tamil Dubbed Movie Stealth

May 29th Friday



Watch Latest Tamil Dubbed Movie Stealth

Movie Review:

Rated: PG-13
Distributor: Columbia Pictures
Release Date: 2005-07-29

Starring: Josh Lucas, Jessica Biel, Jamie Foxx, Sam Shepard, Richard Roxburgh, Joe Morton

Directed by Rob Cohen
Produced by Mike Medavoy, Arnold Messer, Neal H. Moritz, Laura Ziskin
Written by W.D. Richter


Picture three of Hollywood's most promising actors trapped in the absolute worst eighties rock video imaginable. In a strange way, it’s wonderful. Whether by accident or intent, Stealth misses only a theme song by Kenny Loggins to capture all things both good and bad about mid-eighties blockbusters. Director Rob Cohen has borrowed heavily from movies like D.A.R.Y.L., War Games, Top Gun, and even Flight of the Navigator, lifting almost wholesale all their silliest moments and jamming them into a huge wad of goofy, take my breath away nostalgia. It's wacky, half-baked, and fast paced. I'm not sure if I should club it to death or hug it.


W.D. Richter’s script is the story of three hotshot naval pilots forced to help the military test out their latest advancement, a warplane without a driver. It’s not a simple drone; the plane is controlled by an intelligent computer whose brain rests inside a rather stylish looking ball mounted in the cockpit. The ball is named EDI or “Eddie”, and has one of those really soothing, friendly computer voices that tells you it’s up to no good. Our Homo sapien hotshots are Ben (Josh Lucas), Kara (Jessica Biel), and Henry (Jamie Foxx), but it’s Eddie that has all the personality. Lucas, Biel, and Foxx are all extremely gifted actors, there’s just nothing written in the screenplay for them to sink their teeth into. You have to wonder what they’re even doing here. In the case of Foxx he signed up for it before he commanded the respect earned with an Oscar. In the case of Biel, she looks to have been searching for a place to show off the muscles she acquired on the set of Blade Trinity. Josh Lucas, I’m going to assume he needed a new swimming pool. From the vacant “kill me now” expressions behind their eyes, it’s obvious that none of them are happy. Their characters are running on empty, and there’s nothing any of these usually talented people could have done to save them. Oh, they eat popsicles and wear bikinis, but other than a stock “I fear being replaced by computers” overreaction from Ben they’re a pretty banal group, of the type you’ll find in any military movie


What’s most unique about them is their planes, which instead of being normal military fighters are souped-up super-planes. It’s a little unnecessary, when you consider Eddie is already himself super-enhanced. The film might have been better were they running around in older fighters, trying to battle superior technology with sheer brains and instinct rather than fighting superior technology with slightly less superior technology. But this isn’t that kind of movie. It’s a throwback to a time when if you could fit a Mr. Fusion on a Delorion and turn it into a flying contraption, then by God you did, because that’s a pretty cool thing to do.


As you’d expect, eventually Eddie goes haywire and stops following orders. There’s a weird attempt to indicate that this may have been caused by a lightning strike, but if you’re going to spend that much money on a jet you’d think the government would equip it to handle a thunderstorm. Ben and his cadre are ordered to hunt Eddie down, but find themselves being undermined by a typically corrupt Navy General. Mixed in there is a really laughable plane crash and a lot of missile launches and explosions culminating in a heavy handed funeral sequence that’s bound to elicit unlooked for laughter.


Rob Cohen is the man to blame for both The Fast and the Furious and xXx, so it’s no surprise thatStealth fits comfortably into their mold of silly excitement. Like Cohen’s previous films, it drips with his signature noisy, amped up, frequently annoying style. But unlike his other work where the man at least seems to know where he’s going with the material, Cohen doesn’t really appear to be taking Stealth anywhere except perhaps straight over the edge.


There’s no denying it, Stealth is ridiculous. It’s a big, sloppy, fur ball of stupid, wild action sequences punctuated by lame military pomposity. Twenty years ago this film would have been huge. Today it’s hilarious. It’s a big, lumbering, idiotic brute of an action film; giddy with high-octane schmaltz and so full of unjustified hubris it’ll give you an incurable case of the giggles. Even the effects are good for a chuckle, with rollickingly dumb crash sequences and unnecessarily CGI’d warplanes packed into every frame of the film. A lot of people are going to hate it, but if you’re a little lonely for the good old days of manic computers, personality free pilots, and terrible soundtracks, then you won’t want to miss this one. Stealth is a movie so bad, it’s almost good.

Watch Hollywood Movie In Tamil Silver Bullet

May 29th Friday

Watch Silver Bullet Movie



Movie Review:

Everyone should have an Uncle Red . . .

I mean I don't, but I wish I did. And in Stephen King's Silver Bullet, the relationship between Uncle Red (Gary Busey), Marty Coslaw (Corey Haim) and Jane Coslaw (Megan Follows) was really at the heart of the story. Well, that and the murderous werewolf that was stalking the local residents, that is.


The film begins with a bang (well more like a thud) as one of the town drunks who works on the railroad tracks is found dead. Everyone kind of assumes that in a drunken stupor he somehow got himself caught on the tracks. But when other (more respectable) townsfolk wind up dead, everyone realizes that there is some kind of monster on the loose. Only they don't realize how right they are about the monster part.


Marty who is paralyzed and his sister, Jane who is constantly given the responsibility to watch over Marty, are the only two in town who realize what is stalking the townspeople. After their Uncle Red gives Marty a new hot-rod wheelchair (fondly nicknamed The Silver Bullet) and some Fourth of July fireworks, Marty sneaks out of his second story bedroom to shoot them off. This is no easy feat for a little boy whose legs don't quite work. I mean, getting out might not be too far beyond the realm of possibility, but getting back up? It was a stretch to say the least. But I digress . . . So Marty is off shooting off his fireworks which wake up the Werewolf who promptly comes to attack Marty. But Marty has saved a rocket for his last firework and shoots it into the monster's eye. He then hightails it back home and somehow gets away from the wounded Werewolf.


The next day he begs Jane to help him find out who in town is the Werewolf. She is not quite sure she believes Marty but decides to do her best to see all the townspeople. At the end of her travels she runs into a towns person who does have an eye injury ( I won't disclose now in case you watch). She is then convinced so she and Marty go to the only adult they think might help them - Uncle Red. He is reluctant to help but when the kids both give him silver necklaces to have made into a silver bullet, he does. He then arranges for their parents to be away on the next full moon (which happened to fall on Halloween - what a coincidence!). And then they wait for the Werewolf to cometh . . .


This is a really cute and touching story. It is like a G-rated horror film in my opinion. Well, G-rated might be an understatement, but it is a great little horror flick to watch with the kiddies on a Sunday afternoon.


Something to look out for in the movie is the character of Owen Knopfler (Lawrence Tierney) as he walked around with his "Peacemaker". I just couldn't help thinking "Toby Whang? . . . Toby Wong? . . . " everytime I saw him in a shot. If you are a Reservoir Dogs fan, you will get my reference! If not, watch Reservoir Dogs it is an awesome film.

Watch Online Latest Movie Detective Naani 2009

May 29 Th Friday

Movie Review:

Detective Naani Movie Review

Detective Naani: Grand Mess

Rating: 1.5 out of 5*

Starring: Ava Mukherjee, Master Zain Khan, Ankur Nayyar, Amrita Saluja, Shubhangi Gokhale, Amit Verma and Shweta Gulati

Director: Romilla Mukherjee

During her daily ritual of morning walk, 75 year old Naani (Ava Mukherjee the famous Dabur model) witnesses a small girl (Saili Shettye) peeping at her nervously. Intrigued, as Naani tries to find more about the girl she stumbles on a huge racket. In her mission to unearth the big mystery she is aided by her aspiring detective grandson (Zain Khan) as also from some unexpected quarters. How her mission ends in a success and what positive changes this journey brings in the lives of Naani and those around her form the rest of the plot.


The basic plot premise sounds interesting on paper but the whole execution and unintelligent screenplay makes you wish it could have better made into an episode of a TV series. Since it has an unusual detective jodi of a grandmother and her grandson, the whodunit should have been laced with more funnier and imaginative moments. But unnecessary time is wasted on lack luster sub plots such as the two online lovers etc. Even the intended romantic track between the investigating CID officer (Ankar Nayyar) and Naani's divorcee daughter (Amrita Saluja) appears half baked. What is worse is the running time which stretches to 135 minutes. You keep looking at your watch as one stupid sequence follows the other, hoping it all to end!


Sometimes you feel like forgiving all the above problems since it's the director's debut attempt and try to take solace in good acting but well you are disappointed on this front as well. While Zain Khan gets irritating after a point the rest all are no good either. Ava Mukherjee is the only saving grace.


Just give this film a miss. It tries to be a cute whodunit but ends up being a mess and a waste of your time.

Bollywood Online Latest Sanam Teri Kasam 2009

May 29th Friday

Watch Online Latest Sanam Teri Kasam 2009


Movie Review:

Cast: Saif Ali Khan, Pooja Bhatt, Atul Agnihotri, Sheeba

Director: Lawrence d’ Souza


Do not mistake this for the 1982 entertainer of the same name, starring Kamal Haasan and Reena Roy. But this ‘Sanam Teri Kasam’ is not exactly new either—it’s been stuck in the cans for over a dozen years.


It’s coming out spills open a can of worms, confronting us with the kind of dreadful cinema we used to make back then.


Casanova Saif loves ‘em and leaves ‘em, till one day he runs into the true love of his life (Pooja). They spend the first half of the film trying to get into awkward clichés; the next half gets complicated with poor Pooja getting tricked into becoming the wife of Saif’s best friend Atul, leaving Saif to mope, and cry on Sheeba’s heavily-pancaked shoulder.

Amazing Online Hollywood Movie X-Men 2 In Telugu

May 29th Friday

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Movie Review:

Director : Bryan Singer
Release Date : 9 May 2003
Genre : Action
Cast : Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Anna Paquin, Rebecca Romijn, Brian Cox, Alan Cumming, Bruce Davison, Aaron Stanford, Shawn Ashmore, Kelly Hu..


Seen on: May 1, 2009

The players: Director: Gavin Hood, Writers: David Benioff, Scott Silver, James Vanderbilt, Cast: Hugh Jackman, Liev Schreiber, Lynn Collins, Danny Huston, Ryan Reynolds


Facts of interest: Gavin Hood also directed "Tsotsi" and "Rendition."

The plot: The film traces the origin of Logan aka. Wolverine, who hunts down Victor Creed and William Stryker after they screw him over big time.


Our thoughts: What you’ve seen in the trailers for Gavin Hood’s “X-Men Origins: Wolverine” is exactly what you get: fast-paced action sequences with massive explosions, but barely any story. I can’t say the first big blockbuster of the summer season at the movies totally disappointed me, but I admit I left the theater dissatisfied.


Maybe I didn’t love “Wolverine” as much as I thought because I walked into the film expecting the same kind of genuine depth I so much enjoyed in “X-Men” and its absolutely brilliant sequel “X2.” Or maybe I was just hoping to find out more about the origin of Wolverine instead of watching him spend 107 minutes chasing after his biggest enemies.


Whatever the reason, “X-Men Origins: Wolverine” falls victim to a shallow script that clearly fails to deliver a story line intriguing and unique enough to turn this prequel into a memorable experience. Alas, Hood’s film, though filled with decent action and nice visual effects, is nothing but a forgettable installment in a great series (not counting “The Last Stand”).


What this film is really missing is character, a flaw that kept bugging me all throughout the movie. Sure, we do catch a good glimpse at what happened to Logan during his childhood and how he came to be so powerful and consumed by revenge, but other than that, the film clearly refuses to offer viewers a complex character they should really care about.


Sophisticated superhero flicks such as “Spider-Man,” “Iron Man,” and the past two “Batman” movies devoted considerable time exploring flawed heroes who wrestled with the dark sides of life, but not so much “Wolverine.” No, Logan is pretty much an indestructible mutant who rarely faces a tricky challenge, and the film’s analysis of his psyche just doesn’t cut it.


As I said before, Wolverine spends most of the movie trying to seek revenge against his brother Victor Creed (Liev Schreiber) and William Stryker (Danny Huston), and although the plot lacks both suspense and surprises, I still admit the large amount of loud, brainless action sequences manage to deliver decent big-screen entertainment.


Sure, many of the battles you get to see in “Wolverine” lack intensity and simply can’t measure up to some of the awesome action moments we’ve seen in other recent superhero films, but all in all, they did a pretty good job of keeping the movie out of the boredom zone. In other words, “Wolverine” could have been a lot worse.


Poor character development is certainly one of Hood’s film’s main weaknesses, but much to my surprise, I still ended up enjoying Hugh Jackman’s performance as the aggressive mutant who gets screwed many times and won’t rest until he’s kicked some major butt. The same goes for Huston, Schreiber and even the beautiful Lynn Collins.


Freaky quote: “I'm coming for blood, no code of conduct, no law." – Hugh Jackman

The final word: “X-Men Origins: Wolverine” is not a waste of time or money, but it’s not exactly a marvelous action blockbuster either. The film has enough potential and superficial energy to keep folks entertained for 107 minutes, but don’t dare expect more. Logan’s claws may be shiny and sharp, but they don’t cut deep enough.

Saturday, May 23, 2009

Amazing Hollywood Tamil Latest Dubbed Movie Kindergarten cop

May 24th Sunday
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Movie Review:
This is one of the oldest movies of Arnold Schwarzenegger. I first saw this film when I was just a young girl. Now, I have seen it again in HBO and it felt like I have only seen it now. It is a comedy film, not the usual Terminator action movies, Arnold is famous for. Other stars include Penelope Ann Miller, Richard Tyson, Pamela Reed and Linda Hunt. I must admit, I was really

entertained! Although not a very good actor, Arnold is good in comedy. The film is about a tough LA cop (played by Arnold) who went undercover as a kindergarten teacher. He was there to find out who among the students is the son of a drug-dealer. In the story, he fell in love with a co-teacher who unfortunately is the mother of the boy he was looking for. The movie is simple but dealt with serious issues in family relationships like divorce, child abuse, role-modeling and single parenthood. The children are adorable and each has his own unique character. There is chemistry between Arnold and the children. The funny moments are usually seen in the classroom setting where Arnold interacts with the kids. He realized that being a kindergarten cop is much harder than being a tough cop who arrests criminals. The film is hilarious and a good movie for the whole family!


world Latest Hollywood Movie In Tamil The 6th Day

May 24th Sunday
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Movie Review:


Review Date: November 13, 2000
Director: Roger Spottiswoode
Writer: Cormac and Marianne Wibberley
Producers: A. Schwarzenegger, Jon Davison, Mike Medavoy
Actors:Arnold Schwarzenegger as Adam GibsonMichael Rapaport as HankRobert Duvall as Dr. Graham Weir
Genre: Science Fiction

The 6th Day refers to the Genesis passages in the Bible where it talks about Man being created in God's image. Set in the not too distant future, this movie explores some of the repercussions of Man being able to create Man. We've already cloned sheep. We're learning more and more about DNA every year, so what happens when we get to a point where we can clone anything and make a perfect copy?
This film picks up with a time period where this is possible. Animals are able to be cloned perfectly. Human organs, except for the brain can also be cloned. However, some experiments with human cloning earlier went terribly wrong and cloning of humans is illegal, The 6th Day Law. So imagine the surprise for Adam Gibson, played by Arnold Schwarzenegger, when he arrives home one day to already find himself inside enjoying an evening with his family. The people responsible wanna off poor Adam before the world finds out he's been cloned.
And you know what happens when someone tries to kill Arnold. It just ticks him off and usually leads to lots of gun play, fights and maybe even some explosions. This will be no exception. There's more than just action here however. Although the story is somewhat transparent and predictable, it actually does a pretty good job of presenting some philosophical and moral questions about cloning that will make you think.
But enough about the deep stuff. When we get a new Arnold movie what we want is action. And we get a good dose of it here with tons of gun play, a decent car chase and some creative implementations of high explosives. The real fun part was all of the neat futuristic toys in the movie ranging from the helicopters that could suddenly turn into high speed ground hugging jets to the virtual girlfriend. I won't say much about the virtual girlfriend other than I want one.
We went into this flick expecting it to be a bit of a stinker based on the trailers. However, the combination of the cool futuristic toys, some decent action and an intriguing premise resulted in it being much better than we expected. There really weren't any slow spots and the movie didn't seem near as long as it was, that's always a good sign. However, this isn't the film you're going to now remember Schwarzenegger for instead of Terminator or anything like that. We give it 3 stars for being your basic action/scifi/thriller but with a few unique elements.

Amazing Hollywood Movie In Tamil Shaolin Soccer

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Movie Review:
Country :Hong KongYear:2001Genre:ComedyFormat: DVDRunning Time: 1H52Distributor: Universe Laser & Video CO.Date reviewed: 09/28/2001
Producer:Yeung Kwok FaiDirector:Stephen Chow

Cast: Stephen Chow, Vicki Zhao Wei, Ng Man Tat, Patrick Tse Yin, Wong Yat Fei, Tin Kai Man, Lam Tze Chung, Chan Kwok Kwan, Mok Lei Lam, Lam Tsz Sin, Karen Mok, Cecilia Cheung..
Story: After soccer superstar "Golden Leg" Fung (Ng Man Tat) decides to take a "dishonor" check to lose an important soccer match, his career goes down the drain as the crowd rushes the field and beats and cripples Fung for his missed goal. Twenty years later, Fung is a lackey for evil soccer furor, Hung (Patrick Tse), who happens to not only used to be the teammate Fung picked on, but now a soccer legend and the chairman of the National Soccer League. Depressed and broken for his reversalof fortune and the particular truths he finds out about his accident, Fung walks the streets finding reasons to live. Fortunately, Fung stumbles upon Sing (Stephen Chow), a martial artists trying to find ways to bring Kung Fu into the mainstream. Aftermuch preparation and soul searching, Fung gathers Sing and his Shaolin brothers together to form a team like no other: a Kung Fu based soccer team. While Sing trains and battles it out Shaolin style in the soccer ring, he attempts to woo Mei (Vicki Zhao Wei's), a shy, charming but hideously-looking girl who uses her Tai Chi skills to make the damn best mantou (steamed bread) in the world ..

Amazing Tamil Nadu 10th Results, 10th Results 2009

May 24th Sunday
amil Nadu 10th Class Results 2009

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The SSLC results for the TamilNadu 10th Standard state board examinations to bedeclared on 23rd May 2009 / 09:30 AM.


Phone numbers are, Airtel landline 1250108, BSNL landline 1250108, BSNL mobile 1250108, Reliance CDMA 5550008. For BSNL sms 57777 (TN10).
For BSNL Tamil Nadu circle SMS SSC *** 53344 or MAT *** 53344 or ANG *** 53344 followed by registration number. For AIRCEL SMS 57799, AIRTEL 53030, 543217, Reliance 53030, 53030303, 53030101 and TATA 12971.

Watch Online Latest amazing Hindi Movie Suno Na – Ek Nanhi Aawaz 2009

May 24th sunday

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Movie Review:
Suno Na – Ek Nanhi Aawaz: Is simply boring.
Rating: 1.5 out of 5*
Starring: Tara Sharma, Dharmendra Gohil, Avinash Tiwari, Rinku Patel, Makarand Shukla and Neha Baam

Director: Amy Thanawala
Small town girl from Andhra, Anupama’s (Tara Sharma) boyfriend ditches her after she becomes pregnant. But Anu taking a brave step decides to get keep the child much against her family’s wishes. Facing their opposition, she moves to Mumbai with her best friend Raina (Rinku Patel) and even manages to get a job. Soon she begins experiencing an unusual thing. She starts hearing her yet unborn child talking to her. She names her unborn child Sammy and starts

enjoying conversations with it. As Anu sets out to get a father for her child, she encounters three men from varied backgrounds. First one is her neighbour, musician HMV (Avinash), the second one is middle class professor Dhruv (Dharmendra Gohil) and the third one is her office colleague Deepak (Makrand). But then as Anu is trying to zero down on one, she realizes HMV is gay, Deepak is too conservative to accept someone else’s child and Dhruv is heartbroken on knowing she is carrying someone’s child without marrying him. Finally it boils down to a hospital climax

which is the height of idiocy wherein all the three suitors are shown going inside the labour room wearing the scrubs. As expected by the audience by now, the new born turns out to be a girl. Professor saab Dhruv then makes Anu realize that it was her own inner voice she was listening to and not the unborn baby’s!
The whole concept of the film is suited more for a TV serial than a full fledged film. As you sit down to watch the film, your interest wanes of 20 minutes into the film. Lack of imaginative

writing, screenplay full of clichés seen umpteen times before starts grating on your nerves and you wait for the film to end. Towards the end also you lose the curiosity who shall Anu end up with.

Tara Sharma is a decent actress but has a bad dialogue delivery. Amongst the three newcomers in male leads, Avinash Tiwari is okay while the rest two just about pass the muster. Rinku Patel is good.
Just give this film a pass and save yourself the agony which seems much worse than actual labour pains.